Building a cajon box drum with Paul
I figured, sure, but I'll be around to help if things go wrong.
This gave me a bit of an appreciation of woodworking knowledge that I take so much for granted that I'm not even aware of it. The wood he had had a slight twist to it, so I advised cutting it to lengths before resawing.
Paul managed to pinch the blade when the unsupported wood dropped on either side, stalling the saw. I ran for the off switch!
Next resawing the wood to the right thickness, on my bandsaw. I had to change the blade first because at that point I only had the one bandsaw in the shop, with a 1/4" blade on it. The other bandsaw was still in the house's garage because I was using it to install baseboards.
I checked the timestamps on the video files afterwards. Without hurry and while chatting with Paul, it took 8 minutes from start to finish, including adjustments.
Paul spread the glue with his index finger, but then he had glue on his finger, which was awkward until I handed him a piece of paper towel to wipe it with. I imagine at some point long ago I did the same thing, but it hasn't occurred to me to spread the glue with my fingers recently, probably for that very reason.
To avoid planer snipe we fed a sacrificial piece ahead of the pieces, then fed the pieces back-to-back, then followed by another sacrificial piece. That way, the planer snipe was all on the sacrificial pieces.
Cutting the pieces to final width. Paul encountered some burning because of the way he pushed the pieces through. Pushing on the workpiece near the fence instead of near the blade will make it want to rotate into the blade.
Without a riving knife, this could result in some nasty kickback. Luckily the only harm was a discolored edge of the wood from friction with the blade.
By now we realized we were running short of time, so rather than me filming him clamping it, I put the camera on a tripod and got more hands on with helping. Clamping up is something where more than two hands help, even with experience.
The rabbet joints didn't quite slide together. Turns out I placed the clamping cauls so they were right on the corner, which not only made them ineffective at squeezing the rabbets together side-to-side, it would also have resulted in the cauls getting glued to the box. Paul caught that one with asking "is this a problem...?"
After that we needed to wait for the glue to dry. Paul, having come with family had to go home to get the kids to bed, so we called it a day.
Paul wanted an adjustable snare with a knob with click stops. Experimenting with the snare. I realized the snare only needed to move by a small angle (maybe 15 degrees) from not touching the drum to pressed so hard against it that it wouldn't rattle.
I thought about it and figured some mechanism to turn a larger rotation in the adjustment knob to a smaller rotation of the snare would be cool. And gears would be ideal for that! So I made those (using my gear program) before Paul came back two days later.
As usual, finessing the gears with the strip sander. A strip sander can't be beat for tweaking gears!
Next I set the saw blade at 30 degrees and cut each corner from both directions. This approximates a roundover, but with 30 degree segments (if I did this with a small square piece of wood, this would make a 12-sided "dowel"). Again cutting backward on the saw to avoid chip-out.
This could have been done with a router, but at greater risk of chip-out and burning. And this was faster to set up.
Mechanism in the cajon. The piece of coat hanger wire that pushes against the circle behind the small gear provides the click stops. With the 7:1 gear ratio, and many click stops on the wheel, there are at least 20 click-stops for the range of adjustment of the snare — way more than needed. The adjustment itself makes a neat noise when you adjust it, a bit like a tone block.
The odd shaped sound hole in the back also serves as a carrying handle.
Thanks Paul for being a good sport about it. Some of the scenes were not very flattering :)
Here's Paul's photo album of the build on imgur.