Bending Ukulele and guitar sides
I started by ripping some thin strips off some white oak that I had lying around. Many guitar makers use exotic woods for guitar sides, but because I was still experimenting, I didn't want to use expensive materials.
I used a thin kerf 7 1/4" (185 mm) blade, so as to waste less material, and to be easier on my saw. I cut from both sides to resaw a thin strip.
Next I mounted a good quality 9" blade and passed the stock between the blade and the fence to smooth and thin the sides. I could have used a 10" blade and cut the whole side in one pass, but it would have been difficult and dangerous to push the very thin stock behind the fully raised blade.
It's important to push the wood through in a continuous motion. Stopping will cause burn marks on the wood. For the final pass, I pushed the wood through with my fingers, because I'd sometimes slip off the wood with the push stick. Pushing it through, I put my hand over the fence, with just my thumb extending over the edge. I figured that way, even if there was kickback, my thumb would not be able to reach the blade.
Guitar makers usually use thickness sanders to get the wood to it's final thickness. So I figured, giving it a sanding to smooth it over would be a good idea. I didn't do too much sanding though to avoid making the thickness inconsistent.
Finally, going over the wood with a scraper. That worked better than sanding and left a smoother surface.
I used the shape of my Ukulele Sketchup CAD model to make a 1:1 printout of the profile, using my BigPrint program, as usual.
The next challenge was figuring out how to bend the wood around that form.
Heat and moisture both make wood easier to bend. Some guitar makers use a hot piece of pipe to bend it over. Thinking of what I have in my house, I figured a steam iron would be a good way to apply heat and moisture. I cut some more thin strips of oak to try it.
I figured, maybe I don't have enough heat. I experimented with a heat gun, but that realy dried out the wood. Then I tried it with heat from both sides by ironing the wood on my stove top. But it's easy to overdo it and I ended up charring the wood a little bit.
Turkey roasting pans aren't meant to be used on a stovetop, and they are not flat on the bottom, so not ideal. I pre-heated the water to a boil before dumping it into the roating pan. The non-flat bottom was ok for keeping the water boiling when placed on the largest burner on my stove.
I was curious how much the wood sprung back by, so I built a simple radius gauge using a dial indicator mounted in a block of wood. I adjusted the dial indicator to read zero when the gauge is pushed against a flat surface.
The gauge's wooden block is 3.15 cm wide, with the dial indicator in the middle. With that geometry, dividing 500 by the dial indicator reading (which is in thousandths of an inch) gives the radius of curvature in centimeters.
I made it 3.15 cm wide because that would give a 0.1" (100 thousandhs) with a 5 cm radius. I worked that out with using the Pythagorean theorem.
I wanted to know what the relationship between bent-to radius and relaxed-to radius was. So I took a lot of readings along the length of the strip while it was still clamped to the bending form, and then took the readings again once unclamped. I graphed the dial indicator readings, with initial bend on the horizontal, and relaxed-to bend on the vertical. The units are in dial indicator readings (higher numbers mean more curved, smaller radius). The negative readings are for the inside-bend in the middle.
By the looks of it, there appeared to be a linear relationship, with the wood relaxing about 20% of its curvature immediately after unclamping.
I started by approximating the ukulele shape as a series of circular arcs. The tick-marks on this drawing indicate the starts and ends of the circular arc segments.
I then reduced the radius of each arc by 20%, then adjusted the length of each arc to be what it was before. After that, I had to rotate the arcs so that they lined up with each other in a straight line again.
The final shape is the one you can see at left.
You may wonder what tricks I used to do this, but there were no tricks. It was a lot of manually changing parameters and lining it up by eye.
I thought some more about methods for steaming the wood. The turkey roasting pan is barely big enough for tenor ukulele, so you wouldn't be able to use it when making a guitar. My next thought was to try to add a "chimney" to my rice cooker. Rice cookers are about 600 watts. So I should expect to get about half as much steam out of it as a kettle.
I made a chimney out of some 3" ABS pipe that I had left over from making the balancing board. For a guitar, you would want to use 5" pipe (might be hard to find in plastic, maybe try galvanized heating duct piping). Shortly after, I saw the inlet pipe for a leaf blower in the neighbour's garbage. That would certainly be big enough.
I used a piece of solid pine to attach the pipe, figuring the steam would eventually destroy plywood. But the steam caused quite a bit of warping in the pine, so maybe plywood would have been better.
I also wrapped some paper towel around the pipe to insulate it. Measuring the temperature at the top of the pipe, I was able to get it up to 90 degrees Celcius, but only if I partially covered the end of the pipe. Otherwise, there was too much convection pulling fresh air through the chimney.
I also realized that, over the course of a few days, my test sample relaxed further. So I made two bending forms of the over-bent shape, so that I could keep the strips clamped to the bending form until I was ready to use them.
I wasn't satisfied with how I had clamped one of my strips to the bending form. The turkey roasting pan was very useful for re-steaming the bent part. It was interesting to see to what extent the wood re-straightened itself just from re-steaming. I guess it takes a lot to truly bend wood into submission!
See also: Pat Hawley bending ukekele sides
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